Welcome to Homes for Sale in Virginia!

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Virginia Homes for Sale is here to help you find the perfect home in many cities within the state of Virginia. From the Chesapeake Bay to the Western border of the state — we can help you find all sorts of homes in each area. Virginia is a beautiful state to move to! Full of history, culture and beautiful real estate–why wouldn’t you want to move there? It’s a great place to settle down and relocate to! You’re in the best place on the Web for finding Real Estate in Virginia! Virginia Homes are priced in all price ranges, and thye also come in a variety of sizes, shapes and designs.

Not exactly sure how to start looking for homes? Begin by exploring the links at the top of the page. Find out which type of Virignia Real Estate you’re interested in. Are you interested in a Virginia Condos or Virginia townhomes. Or something like that without a large home payment? Or are you ready to buy a home? There are also quite a few different types of single family homes such as the beautiful – luxury homes in Virginia and others.

Once you’ve decided on which Virginia Real Estate that you

want, take a minute and explore the cities. The state of Virginia is 42,774.2 square miles and has hundreds of cities! The state is also divided into five geographic regions. Be sure to research where you are looking to live. Buying a home is a LARGE decision, and you want to make sure you’re in the right area. Would you be looking for Virginia Beach Homes or Suffolk VA Homes. Homes in Virginia Beach are one of the most popular in the area, also the Chesapeake Bay Homes are popular. We can show you which neighborhoods are good, and what type of real estate is popular in the area.

Next step — Search for Homes in Virginia. This is our specialty. We can show you the Basic, Advanced even Map Search for homes for sale in Virginia! We also have hundreds of listings for you to go through to find the best home for you! Virginia is full of homes for sale, and we can help you sift through the houses to find your dream home!

We’re here to help you in every step along the way of finding the perfect home in Virginia! Happy Home Hunting!

Virginia Single Family Home Listings

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Mansions for sale in usa

Since World War II, America’s homes have gotten bigger. In 2010 the average size of a newly completed single-family home was 2,392 square feet, according to the U.S. Census Bureau. That’s roughly 45% larger than the homes built in 1973, and roughly double the size of homes built during the 1950s.

As middle class Americans have steadily upsized their digs over the years, so too have the country’s richest. Starting in the 1990s, billionaires like Ira Rennert. John Kluge and Michael Dell began erecting monster mansions encompassing tens of thousands of square feet. Even in the recent economic downturn, as millions of homeowners have struggled with the burden of underwater homes, the world’s richest have been buying some of the biggest abodes in the country.

Turns out there are many more still up for grabs. The folks at Trulia .com, a San Francisco. Calif.-based real estate listing site, helped us whip up a list of the 15 biggest single-family homes currently listed publicly on the market. Every home we included in our roundup peddles a staggering 25,000 square feet of living space or more. All of them boast outrageous amenities and an assortment of specialty rooms you might not have thought could even exist in a private residence.

Some of the market’s most gargantuan homes were actually built by real estate developers on speculation. Spotting a niche market comprised of billionaire and multimillionaire home buyers, these builders secured tens of millions of dollars in funding — in most cases before the economic downturn — and set to work on dream designs they have hoped would snag moneyed real estate aficionados.

One such property is a $60 million vacation home in Indian Creek Village, Fla. Built by Shlomi Alexander of Bal Bay Development, the manse boasts 30,000-square feet of living space including a chromotherapy spa, a recording studio, a panic room and a 7-limo garage. “He didn’t want it to feel like a house, he wanted it to feel like a 30,000-square foot contemporary resort,” explains Oren Alexander, the property’s Prudential Douglas Elliman Real Estate co-listing agent, and the developer’s son. The Miami-area “resort” has been on the market since 2010.

The priciest property in tony Alpine, NJ, America’s most expensive zip code. is another example of developer dreams. The Stone Mansion

at Frick Estate listed in 2010 for $68 million, before price chopping to $52 million earlier this year and then price-hiking back up to $56 million, where it currently stands today. The 30,000-square foot, four-level construction behemoth took more than three years to build with a 60-person crew. It touts 12 bedrooms, 19 bathrooms, a ballroom with coat check closet, and an indoor basketball court equipped with locker rooms and scoreboard.

Richard Kurtz, chief executive of Kamson Corp. originally planned to build the home for himself and his wife. But in a video interview with Forbes. he explained that as he added more amenities to the design the size became too large for his purposes. “It’s just too big for us. We would have to use cell phones just to find each other!” he jokingly had remarked.

On ‘Billionaire’s Row’ in Palm Beach, Fla. another gigantic spec home officially listed for sale this year: a $74 million waterfront estate with 27,355 square feet of living space. It has parking capacity for 50 cars and gardens designed for sculpture displays. The master bedroom suite is significantly larger than most people’s whole houses, encompassing 4,000-square feet of his-and-her baths, closets, dressing areas, even libraries.

Not to be left out, the Los Angeles area has several residential giants on the market, including a 30,000-square foot Mediterranean villa owned by fashion entrepreneur, Armand Marciano, the co-founder of Guess? Inc. asking $63 million. the 20-acre Beverly Hills compound includes seven bedrooms, 18 bathrooms, a media screening and projection room and a 17-car garage. There’s also an elevator to get you from one floor to another more effortlessly. Another massive manse in Beverly Hills offers 27,163 square feet for $55 million and in L.A.’s posh Holmby Hills neighborhood a $27.5 million estate offers 27,816. (Just down the street in Holmby Hills lies the recently sold 56,500-square foot Spelling Manor, formerly the most expensive home for sale in the U.S. – and one of the largest.

Other properties in our list include an $18.8 million Wayland, Mass. estate called Stonehedge, at 25,400-square feet; a $10 million Blue Bell, Penn. palace boasting 25,356 square feet and a pool pavilion with water slides and not one, but three, hot tubs; and a $16 million Post Falls, Idaho mansion with 28,469 square feet for which the listing description notes, “Showing this home is like a visit to Disneyland.”

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What is Temporary Office Space?

By utilizing a temporary work space, companies and professionals benefit by having maximum flexibility while working at a professional, fully serviced office. When companies cannot commit huge amounts of capital to set up a long-term workspace, there is an alternative.

You can find temp offices in every major city in the US and Canada and most business parks and suburban areas throughout the 50 states. Based on your needs, you can rent a meeting room, desk, or private office for as little as one hour or a day.

Functional Features and Services

Although temporary office spaces are intended for short-term use, it’s normal for them to be outfitted with the latest amenities to conduct your business:

  • Furnished offices
  • High speed internet and phones
  • Receptionist and mail receiving services
  • Conference and meeting rooms
  • Kitchen and break rooms

Due to the temporary nature of the rental, everything available is included. This provides enormous benefits to the end user so they can focus on their business, not on the painful process of finding an office and running it.

Reasons to Choose a Short-Term Office Space

With normal leases, typical lease terms range from twelve months to five years. This creates a huge risk for new and growing small businesses. When in growth mode, a one or three person company can quickly become a team of seven. When this happens, business owners have to deal with this fork in the road:

  • Minimize expenses and have the amount of space required

    for your current employees.

Problem:

Where will your future employees work from?

  • Plan ahead and have more space than currently required in order to accommodate growth.

    Problem: You are wasting out precious resources by paying for space you don’t need.

  • Both alternatives fail at suiting your needs. That’s where temporary office space comes in.

    Solution: With temporary offices, companies commit to the lease or agreement length they feel comfortable with and expand or move when their growth demands it. These benefits also apply if conditions are tough and you experience a decline in staff.

    Most businesses opt for three, six and twelve month agreements to ensure the deepest discounts. When their needs change throughout the existing lease, upgrading and/or taking more space is a breeze and can be arranged within one business day.

    This can also be the right solution for medium sized companies and large corporations. While going through the cumbersome process of negotiating a long term lease and building out an office to suit their needs, established companies can set up a place to continue operations while the chaos dissipates and the dust settles.

    To summarize, temporary offices will offer the flexibility and services to start or run a business and will be the greatest asset when in transition whether it’s going on a hiring spree, or building that dream office that will inspire your ever growing team.

    For more info, contact us and we will guide you in the right direction.

    Start Your Office Space Rental Search Now

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    Large Country Houses, Big Manor Houses, Country Estates and Mansions to rent in the UK

    Find your perfect place to stay for your big family holiday, special occasion or event from our fantastic collection of large country houses, big manors, spacious halls and large country estates.Renting a Large House can be a great choice for big groups who want to get away from it all, for luxury breaks, for self catering weddings, parties or other celebrations. Quite often large country houses are available to rent for weekend or 3 night bookings – check with owners re what bookings they accept. Find a large cottage or mansion for your large group occasion when you require private accommodation to celebrate a special occasion or to host a party or business event. Demand for this type of large group accommodation is always high so plan and book early!

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    looking for a large house in the country to celebrate a special occasion such as a birthday or anniversary? If so, take a look at:

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    Need some Inspiration and Ideas on Recommended Big Houses in the Countryside?

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    America’s most beautiful mansions

    The Biltmore Mansion in North Carolina. (Photo: The Biltmore Company/Newscom)

    Mansions: They’re opulent. They’re enormous. And their histories are rife with social drama. No wonder they pique our curiosity.

    The exact definition of the word “mansion” varies, but in U.S. real estate terms, it’s generally defined as a single-family residence of more than 8,000 square feet. The Merriam-Webster Dictionary just calls it “a large and imposing residence.” Either way, these sizeable dwellings are undoubtedly some of the most beautiful and celebrated examples of residential architecture.

    To learn more about these American beauties, we turned to experts, including architects, realtors, authors and preservation and restoration specialists. Together, they provided examples that range from looming-and-eerie to gracious.

    But if you think America’s mansions are just replicas of their European counterparts, think again. According to Gary Lawrance, an architect and author who specializes in homes of the Gilded Age, “(These homes) were the culmination of European style and American technology.”

    Sitting on a knoll with a lawn that stretches toward the mighty Hudson River, this Gothic Revival mansion was built in an early Gilded Age style. Designed in 1838 and expanded in 1865, its turrets and a four-story tower are a tribute to original architect Alexander Jackson Davis. Narrow hallways lead to rooms with vaulted ceilings and pointed arched windows.

    Now open to the public, Lyndhurst was originally the home of William Pauldring, Jr. who was the mayor of New York City in the 1820s. The home was later purchased by merchant George Merritt and eventually by the railroad tycoon Jay Gould.

    Built by George Washington Vanderbilt II in the style of a chateau, this residence is considered one of the most outstanding examples of the Gilded Age. At 175,000 square feet, it is the largest privately owned house in the United States. Its formal French gardens and rolling English landscape draw thousands of visitors every year.

    This exquisite neo-French Renaissance mansion was designed by C.H.P. Gilbert and completed in 1916. Rife with gilding and carved stone, the home makes a glamorous first impression. Once inside the entry foyer, visitors are treated to beautifully rendered floor mosaics, a stained-glass skylight and grand staircase. Throughout the seven-story home, floor-to-ceiling windows accentuate the high ceilings. And its paneled library is as lovely as it is distinguished.

    Surrounded by 10 acres of European-inspired gardens and a private sculpture garden, this Miami mansion overlooks Biscayne Bay. Completed in 1916, the opulent residence features room after room of elaborate arches, classical columns and decorative detail. The library hides a secret passage through its bookcase and the tea room features stained glass doors that splash colorful light on the smooth marble floors.

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    9 of the Most Fascinating Abandoned Mansions from Around the World

    There’s something particularly spectacular about witnessing the decay of a once-grand building. Lavish trappings fall into disrepair, once proud halls play host to insects and dust, and elegantly constructed architecture is exposed to time and the elements. Here are nine crumbling mansions that are fascinating to look at and come with some intriguing backstories.

    Pidhirtsi Castle, Pidhirtsi, Ukraine

    This castle, built between 1635 and 1640, was once richly furnished, but during World War I, Russian soldiers destroyed the lavish interior. Later, the castle belonged to prince Roman Sanguszko, who removed some of its valuable furnishings in 1939 and took them to Brazil. After WWII, the Soviets reopened it as a Tubercolosis sanitarium, but in 1956 the old castle caught fire and burned for three weeks, destroying the last of its interior beauty. The Lviv Gallery of Arts is trying to restore the building, but at present, there aren’t any visible changes.

    (via Shutterstock/seregalsv and Explore Ukraine )

    Château Miranda or Château de Noisy, Celles, Belgium

    Château Miranda was built in 1866 by an English architect for the Liedekerke-Beaufort family. The family lived there until World War II, when it was taken over by the National Railway Company of Belgium. It’s empty since 1991, in part because the family refuses to turn it over to the municipality of Celles.

    Halcyon Hall, Bennett College, Millbrook, New York

    Halcyon Hall was originally built as a luxury hotel in 1890, but closed in 1901. However, the hall enjoyed a second life when, a few years later, the Bennett School for Girls moved in, making the building home and school to students from prominent families. However, with the rise of coeducational schooling, the Bennett failed to thrive, going bankrupt and shuttering its doors in 1978.

    Kasteel van Mesen, Lede, Belgium

    The almost 500-year-old

    (built in 1628) building has functioned as a castle, a gin distillery, a tobacco factory, and, after World War I, a boarding school for girls financed by the Belgian aristocracy. In 1971, after French education was banned in Flemish regions, the school ceased activities and the building was abandoned. It was demolished in 2010.

    Lillesden Estate Mansion, later The Lillesden (or Bedgebury) School for Girls, UK

    This mansion was built between 1853 and 1855 by a banker named Edward Lloyd. After World War I, the house was sold and became a public school for girls. It closed in 1999, and the building has been abandoned since then.

    Bannerman Castle, Bannerman Island, New York

    A Scottish immigrant, Francis Bannerman purchased the island in 1900 and built a castle to advertise his military surplus business. Two years after Bannerman’s death in 1918, 200 tons of ammunition shells and powder exploded, destroying a small part of the structure. Then in 1969, a fire destroyed the floors and roofs as well. The island is vacant, uninhabited since 1950, after the only ferryboat that serviced the island sank in a storm. In 2009, one-third of the remaining structure collapsed.

    Muromtzevo Mansion, Russia

    Russian architect P.S. Boitzov built many French-style medieval castle in the 19th century–but Muromtzevo Mansion is by far the most spectacular of them.

    Prince Said Halim’s Palace or (wrongly known as) Champollion House, Cairo, Egypt

    This residence was designed by Antonio Lasciac in 1899. Later, it was converted to one of the best secondary schools for boys (Al-Nassiriyah) in the country.

    It has been empty since 2004.

    Pokrovskoye-Streshnevo Mansion, Moscow, Russia

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    Mansions of Madness Painting Guide

    You’ve bought the game and braved the dark corridors of the Mansions of Madness

    Have you—painted the miniatures?

    Painting the miniatures in your brand new shiny (or slimy, in this case) copy of Mansions of Madness may seem a daunting task from which only the most experienced and skilled will survive with sanity intact, but I am here as testament to the fact that it is actually not that difficult! In fact, I managed to paint the entire set of 32 investigator and monster figures in the space of one weekend and two short evening sessions. So ready your workspace, clutch for your brushes, and let me pass on the wisdom of one who has been to the Other World … and returned to tell the tale…

    I won’t be covering the basics of painting miniatures here; for that information see my earlier article A Beginners Guide To Figure Painting . which covers everything about miniature painting you need to get started: preparing your workspace and figures, shading, highlighting and detailing, basing and varnishing, and various painting styles. Here we’ll be looking at my painted set of MoM figures and pointing out some colour choices and techniques. Keep in mind, of course, that these are just my choices and are in no way official—if you want a bright red shoggoth, you go right ahead! This is just the way I painted mine, and there are as many ways to paint miniatures as there are painters. Games Workshop paint colours are referred to here, but there are many other excellent brands of paints available, including Vallejo GameColor, Reaper Master Series Paints and Privateer Press Formula P3. Experiment and have fun!

    Remember, prepare your figures by washing them in detergent and water to get rid of any oily residue from the moulding process; cut or file off any obvious mould lines or bits of extra plastic (watch those fingers!), and affix the miniatures to some suitable surface for ease of painting. I use long strips of foamcore to which I stick the figures with white glue. Undercoat as you see fit—I use Citadel Skull White spray. I use a white ceramic bath tile as a palette and it’s served me well for years. Completely optional but essential in my case were a couple of rainy days and some excellent BBC History podcasts to occupy the part of the brain you don’t use when you paint!

    The investigator figures were the most time-consuming step of the project, mainly due to the number of colours involved. The investigator character cards give you a guide for the basic colours used for each figure. In general, I quickly paint on the base colours, let them dry, wash (quite often Devlan Mud, though Gryphonne Sepia for flesh and the appropriate colour for greens and blues), and then highlight; first with the base colour then in progressively lighter shades—perhaps two, with a final edge highlight.

    You could use all manner of different shades for the various complexions of these characters, but I tend to stick with a blend of Dwarf Flesh and Elf Flesh for the basic skin tone, washed with Gryphonne Sepia and highlighted with Elf Flesh. The sharpest highlights—the tip of the nose and the knuckles usually—get a tiny spot of white. There are many ways to do eyes, but I don’t worry too much about perfection with such small figures. Two small dabs of black, and then two tiny dots of white on either side of the iris—usually with a tiny bit of black to clean up. The hair on these figures is the only place I’ve used the drybrushing technique; I prefer to highlight manually, but remember to mix water with your colour so it flows nicely from the brush.

    For the bases, I made them a bit more interesting than basic black by stippling on a few shades of brown, from dark to light; it just adds a bit of visual texture to the base. However I didn’t worry about the monster bases, and in fact only stuck the monsters on their bases with a small dab of white glue, in case for some reason I want to interchange bases later on—for example if I choose to replace some of these figures with sculpts from other companies.

    Now, on to the bad guys!

    What would a Lovecraftian game be without some twisted degenerate Old One-worshipping cultists? I kept the basic cultists suitably drab with a dark brown cloak—Graveyard Earth mised with a bit of Chaos Black. basically—with a trim of Dheneb Stone (a steady hand and a small brush are required here, though you can touch up later). A few tiny dabs of Mithril Silver were used for their medallions, and a dab of Warlock Purple for the centre gem on their staff thingies.

    Not the most threatening bunch of zombie figures I’ve ever seen—they actually looking like they’re rather sheepishly saying “hi there”—but they’re easy to paint. Slap on some Rotting Flesh. wash with Devlan Mud. and highlight with Rotting Flesh and Skull White. In an attempt to make them a bit more scary I added a bit of Red Gore for blood splatters, plus some appropriately-named Graveyard Earth drybrushed

    over their feet. Dabs of Skull White for the eyes give them that dead-eye look. This shot also illustrates the importance of good figure preparation—there’s a rather obvious mould line on arm of the zombie on the left there which I should have removed before undercoating. Oh well, they’re just gaming pieces after all!

    These surprisingly modest evil witches were very easy to paint. A mixture of Dwarf Flesh and Elf Flesh for the basic skin tone, washed with Gryphonne Sepia and highlighted, and Dheneb Stone for the robes, washed with Devlan Mud and highlighted with white. A subtle drybrush of blue on the black hair makes the hair colour seem even darker. Viola! Evil 1920s temptresses!

    These maniacs are in great poses, though I defy you to get that damn she’s a maniac, maniac I know… song from Flashdance out of your head while painting them. Simple white shirts, washed with Devlan Mud (use a brush to soak up any wash that builds up too much on the raised areas or in the crevices—always control your wash!), contrast nicely with an excessive blotch of Red Gore —and don’t forget the axes! The stain was made by dabbing on the model with the end of a Games Workshop drybrushing brush, which gives a nice stippling effect.

    Someone always has to lead your cultists and who better than a cultist leader (or two). This colour scheme was nicked from the BoardgameGeek game listing photographs—always a good place to go for inspiration—and contrasts nicely with your cultist rank-and-file. Again, a simple way to get your whites whiter than white is a Skull White basecoat washed with Devlan Mud. then highlighted back up with white. Easy! The red is Blood Re d, highlighted by mixing in a bit of Golden Yellow. The skulls on their belts are Bleached Bone. washed with Devlan Mud and highlighted with Bleached Bone and Skull White. The necklace medallion is Shining Gold —they are richer than your average cultist, after all.

    These weird extra-terrestrial critters are Mi-Go, the ‘fungi from Yuggoth’, one of Lovecraft’s weirder creations (and that’s saying something). They appear to removing brains—charming—an Elf Flesh washed with Baal Red with sharp highlights of white (though perhaps brains should be grey … oh well!) The Mi-Go themselves are mostly the usual flesh mix with highlights; and I did use a bit of drybrushing on the wings, I remember. The strange masks they wear (not the most effective human disguise really) are painted with Bleached Bone .

    The Hounds of Tindalos are immortal horrors from another angle in space. created by Frank Belknap Long, though Lovecraft mentions them in his story The Whisperer in Darkness. The base colour used is Graveyard Earth. with a wash of Devlan Mud. highlighted up to Bleached Bone. The long tongue and eye are a wonderfully contrasting Enchanted Blue. highlighted with Ice Blue and white.

    Again, these truly repulsive burrowing giant worm-like beasties were not actually invented by H.P. Lovecraft, but in this case Brian Lumley. The body is a mix of black and Hormagaunt Purple. the tentacles a suitably fleshy Dwarf Flesh. Reliable old Devlan Mud was used as a wash for the body, a bit of Baal Red wash for the tentacles, then highlights layered on— white added to the purple for the body, and Elf Flesh. then white, for the tentacles, right up to some big white highlights. Tiny white dots highlight the suckers. Urgh! The stone base was a simple grey up to white. Lots and lots of Gloss Varnish was used to make the nice and slimy; in fact the model on the left has a little clear blob hanging from the bottom tentacle. It’s details like that that make it all worthwhile!

    And finally, the big bad shoggoths; shapeless congeries of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us… Lovecraft would have been horrified to see his shoggoths given legs, and some gamers have chosen to pop them off and use ‘green stuff’ to putty over the gaps, but Lovecraftian accuracy doesn’t bother me so much. I used a mix of various greens and Chaos Black to get a very dark green basecoat, then highlighted up using smooth, thin strokes of various lighter shades of green. Mix in plenty of water with your paint to get a good flow from the brush, and loosen up a little; you can even use progressively smaller brushes. I kept the overall colour quite dark to contrast with the luminous eyes, which are Goblin Green with a highlight of Scorpion Green (I painted both on wet so the colours swirled together a bit) with a final dot or two of white. A generous coat of Gloss Varnish is de rigeur for your Lovecraftian protoplasmic horrors.

    So there you have it! I hope this little journey through the miniatures of Mansions of Madness has not sent you gibbering and screaming into the black night. Hold on tight to that brush, it may be your last link with reality as we know it …

    … and happy painting!

    Universal Head

    (As a last treat, check out my Headless Hollow site for a Mansions of Madness rules summary and reference sheet. Enjoy!)

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    Antilla – Mukesh Ambani and Nita’s house at Altamount Road ,Mumbai photos

    Just like his business Mukesh Ambani ,the owner of Reliance group is making the whole world excited with his brand new home “Antilla”.Antilla is situated at Altamount Road, Cumballa Hill, South Mumbai, where land costs about US$10,000 per square metre.The house is having a plot area of 4532 sqm.Antilla is the most expensive house that India had ever seen. Mukesh Ambani had spent a sum of 4000 crore rupees for constructing such a huge Villa which is almost 173 metres tall.The design of the entire building is done using gorgeous design method designed by chicago’s famous architectures Perkins and Wills .The features that make Antilla unique is that ,it has 27 floors and it is twice as taller than any other buildings in Mumbai.

    A full time staff of six hundred in numbers was appointed for maintain this most expensive home in the world.The other features of this house includes parking space for 168 cars,a one floor vehicle maintenance facility ,nine elevators in the lobby,three helipads ,air traffic control facility, health spa, an ice room infused with man-made snow flurries,Custom hand carved rare marble pillars and stonework. yoga studio, small theatre with a seating capacity for 50 on the eighth floorand Worlds largest collection of antique sewing machines.

    Anil ambani who is the brother of Mukeshbani

    became impressed of Antilla and now he is also planning to contruct a Villa similar to Antilla near Bandra Palli Hill & Sachin ‘S New Home at Perry Corss Road.Another interesting story about Antilla is that it had become a venue for celebrating Sachin’s 100 th century by Mukesh Ambani.

    Antilla’s view from the top make every one of us feel like “Antilla the 8th wonder of the world”.

    Controversies

    The plot on which Antila stands was bought by Mr. Ambani in a auction for 215 million rupees. It belonged to a muslim Charitable Trust who run an Orphanage in another place. These people have accepted the fact that the money paid by Ambani is much less than its actual market price. However, since it was bought in an auction this allegation has been silenced. This building also stands on the criticizing points of many other people. Some people have said that it is just another show of wealth by a rich man in a country where millions hardly have a roof over their heads. Is it good to build a house so extravagant in a country which is still considered among the poorest in the world? The question remains unanswered and in a cloud of mystery.

    Mukesh Ambani Home Antilia Modern Lounge

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    Vermiculite loft insulation

    R-values come in different units. On Canadian websites, where they acknowledge that imperial and metric measurements are both used, I have seen them listed as R for imperial and RSI for metric. American websites tend only to use imperial values. Some other values seem to be a mixture of metric and imperial!

    The UK regulations use U-values, which is fine for working out heat loss but doesn’t really acknowledge that R-values are more useful for working with insulation to conform to the regulations. R-values of individual layers are summed to get the overall R-value, which is the reciprocal of the overall U-value. There is no point working out U-values for individual layers but you can average the U-value for a wall with windows.

    The K-value of a material does not depend on thickness. Rule-of-thumb K-values (SI units) include 0.115 for timber, 0.063 for Vermiculite, 0.040 for mineral wool and 0.024 for PIR. To calculate R-value, you divide the thickness (metres) by the K-value. Thus 250mm of mineral wool would have an R-value of 0.250 / 0.040 or 6.25, with a U-value of 1/6.25 or 0.16 W/mІ/K. Now, this just shows that the term ‘K-value’ probably comes from the US or pre-dates SI. In countries using SI, the technical temperature unit is Kelvin (K), not to

    be confused with K-value for conductivity! It may be less confusing to use °C rather than K (same difference) and I could have used 0.16 W/mІ/°C.

    Things get more complicated by layers of more than one material (e.g. insulation between joists), you need the average K-value for the layer.

    Take a typical 10% timber and 90% Vermiculite area ratio:

    Average K-value for the layer is 0.115 x 10% + 0.063 x 90% = 0.068. Average R-value for 75mm joists with full-depth Vermiculite is 0.075/0.068 = 1.10. However, it doesn’t stop there! I haven’t included R-values for 12.7mm plasterboard (0.08 ), the warm (0.13) and cold (0.04) surfaces. The overall R-value for the ceiling would be 0.13 + 0.08 + 1.10 + 0.04 = 1.35. Now I am in a position to calculate the U-value for the ceiling as 1/1.35 = 0.741 W/mІ/K.

    If you use space blanket instead of bare mineral wool, say, the low-emissivity (reflective) top surface will add another 0.40 R-value for a vented reflective cavity to the overall equation. However, as the top reflective surface gets dirty, this benefit is lost.

    "The conversion between SI and US units of R-value is 1 h·ftІ·°F/Btu = 0.176110 K·mІ/W, or 1 K·mІ/W = 5.678263 h·ftІ·°F/Btu"

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